Tuesday, May 8, 2012
journal - 31 Job shadowing
Friday, May 4, 2012
"If we Must Die" Modernism
If We Must Die
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursèd lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen! we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
-Claude McKay
Tuesday, April 17, 2012
journal - 30
Ever the undiscouraged, resolute, struggling soul of man; |
(Have former armies fail'd? then we send fresh armies—and fresh again;) |
Ever the grappled mystery of all earth's ages old or new; |
Ever the eager eyes, hurrahs, the welcome-clapping hands, the loud applause; |
Ever the soul dissatisfied, curious, unconvinced at last; |
Struggling to-day the same—battling the same. |
In the first stanza, Whitman brings up the souls of everyone and identifies that all of us struggle inwardly and become discouraged at times. Whitman is suggesting that it is a part of our human nature for us to become discouraged. He also asks if former armies have failed. Which, they obviously have. And he says that we continue to send in fresh troops when armies fail. I think this implies that everyone fails, but we have to pick up again and keep moving forward and not get down about ourselves that things aren't working the way we wanted them to.
Wednesday, April 4, 2012
Chanting the Square Deific
Monday, April 2, 2012
journal - 29
Thursday, March 29, 2012
Dickinson poem- partner
In the first stanza of the poem, Emily Dickinson says “The MURMURING of bees has ceased; but murmuring of some posterior, prophetic, has simultaneous come”(Dickinson). When the sound of the buzzing of bees stops, it is in winter. Winter is when the bees go into their nest and do not come out into the brisk air(Dickinson). And even, many bees die, and leave their larvae to be the next generation when they hatch in the spring. In saying that the bees no longer murmur, Emily Dickinson is saying that the end of spring has come. However, she is also saying that there is now a new murmur that has come at the same time that the murmurs of the bees left. This is referring to the beginning of winter(Dickinson).
The second and final stanza says, “The lower metres of the year, when nature’s laugh is done, the Revelations of the book whose Genesis is June” (Dickinson). It is saying that the last months of the year are present and nature is no longer bright and vibrant like in wonderful summertime. When referring to Revelations, that means ending, and when referring to Genesis, she means beginning. She is saying that the beginning of the summer is June, but it has now come to its end. Winter is here (Dickinson).
This poem uses many symbols and round about ways of stating something that could be simply stated in plain words (Dickinson). But the almost cryptic word choice makes this poem intriguing and neat. Also, Dickinson uses many words that relate to the Bible. She uses words like prophetic, Genesis, and Revelation. This is interesting, for Dickinson faced an inward battle between relying on God and relying on herself (Dickinson).
"111. The Murmuring of Bees Has Ceased. Part Two: Nature. Dickinson, Emily. 1924. Complete Poems." 111. ÂThe Murmuring of Bees Has Ceased. Part Two: Nature. Dickinson, Emily. 1924. Complete Poems. Web. 28 Mar. 2012.
Emily Dickinson's poem "I have not told my garden yet" is one of the saddest poems one could imagine Emily Dickinson writing, but apparently she did not care because she wrote it anyway. It is about a woman who knows she is going to die, but cannot tell the places she goes about it. The places are personified because Dickinson felt such a strong connection with them, and in her solitary life they meant more to her than most people did.
Emily Dickinson really loved nature, especially her garden, and spent a lot of time in it. She never really left the grounds of her house, so she did not exactly have much of a social life. These places that were important to her became like friends to her. Just as one would have trouble telling a friend about something as terrible as that, Dickinson has trouble with the feeling that her favorite places will some how find out about it.
Even in this really depressing poem, it is clear that Dickinson is not really too hurt about death. She was a very free thinker, and instead of describing death as resting or ceasing to exist, she describes it as walking (Dickinson 16). She felt that death was not just sitting around bored, but was an active state with engaging things to do. What Dickinson thought those things were can only be guessed at, but it was clear that even though her death saddened her, she still had hope about what was coming next.
Dickinson, Emily. "I Have Not Told My Garden Yet, by Emily Dickinson." Poetry Archive. Web. 27 Mar. 2012.
Tuesday, March 27, 2012
journal - 28
The first stanza says "I HEARD a fly buzz when I died; The stillness round my formWas like the stillness in the air Between the heaves of storm" (Dickinson). She is first stating what the main happening of the poem is, which is that she heard a fly buzz when she died. Also, when she refers to the stillness round her form, Ishe could be talking about the people around her bedside as she is dying. She is stating how still and awestruck they are as they await the death of this woman. They have nothing else to do but be silent. When this poem refers to heaves of storm, the author may be refering to bouts of obvious approaching death, which sends the spectators into an uncomfortable panic (Dickinson).
In the second stanza, the author says "The eyes beside had wrung them dry, and breaths were gathering sure for that last onset, when the king Be witnessed in his power" (Dickinson). This is most likely refering to the spectators of death surrounding the bead of the dying. It says that the people watching had been crying so much that they have no tears left (Dickinson). She also mentions their breath, which everyone seemed to be quietly holding in, in preparation for any second being that last second of life of the dying woman. When refering to the king, this is likely refering to God's power, which is revealed in one way through death (Dickinson).
The third stanza says, "I willed my keepsakes, signed away what portion of me I could make assignable,—and then there interposed a fly" (Dickinson). This could be refering her giving away what was left of her material possesions in her last moments of life, and then something so vastly insignificant caught her attention. A fly interrupted.
In the last stanza is "with blue, uncertain, stumbling buzz, between the light and me; and then the windows failed, and then I could not see to see" (Dickinson). The dying woman is trying to look at the fly which caught her attention, but then it is hard for her to see the fly. And then the woman dies, as she is trying to look at the fly. It is interesting how she was filled with a whole room of people who were most likely lamenting on her life, and stating profound and significant things, yet a fly is the last thing the woman notices in her life (Dickinso).
128. I Heard a Fly Buzz When I Died. Part Four: Time and Eternity. Dickinson, Emily. 1924. Complete Poems." 128. ÂI Heard a Fly Buzz When I Died. Part Four: Time and Eternity. Dickinson, Emily. 1924. Complete Poems. Web. 28 Mar. 2012.
Friday, March 23, 2012
journal - 27
Wednesday, March 21, 2012
Whitman
Walt Whitman was also a "tweener" when it came to his writing philosophy. Walt Whitman was mostly transcendentalist (Whitman). In his poem "Song of Myself", he emphasised the development and celebration of himself and used nature to show human life and to show human thought as well as self-consciousness about the role of the poet (Whitman). Whitman also wrote about himself in a spiritual role, not just in a literary role (Whitman). "Whitman experimented with longer unstructured lines of prose-poetry and a wider range of subject matter than poets before him", which shows that he was mostly in the transcendentalist and modernism categories of writing. He wrote in free verse, and did not include iambic pentameter in his writings or a certain number syllables or rhyming words. Whitman held Transcendentalist beliefs and thought that "divine truths and principles could be found in ordinary life and ordinary people" (Connors). He wrote about all kinds of ordinary people. He wrote about people that were men and women, young and old, black and white, and wrote about just the regular Joe type of people. Especially in his writings in "Leaves of Grass" Whitman wrote about ordinary people. Whitman wrote for the purpose "to sing the praises of all of America, the ordinary and the extraordinary, so that all its citizens, wealthy and working man alike, could appreciate the power of the written word and celebrate the goodness of their nation" (Connors). Whitman's writing had many ideas of Democracy in it (Connors). His writing was also quite optimistic about the progress of human society (Connors). "Walt early [in life] felt the pride of being an American. Many of his poems concern this theme, of a great expanding nation, young and virile and filled with the joy of life. It was actually an expression of his own feelings towards himself, for he regarded himself as an expression of the nation in which he lived" (Leipold, 58). Whitman's writings were purely American. Unlike all other writers of his time, Whitman was not an old-stock English poet (Oliver). Walt Whitman was indeed an American writer who kept his roots from growing up in the country (Oliver). Whitman held true to his beliefs that he had always held with a high regard to nature, individualism, and democracy (Connors). Whitman was also part of the Free soil party, and thought that slavery should not expand Westward (Connors). When Walt Whitman published "Leaves of Grass", he did not say that he was the author. He only claimed that he wanted it copy writed. In not claiming himself as the author, he was conveying that he believed "Leaves of Grass" could be interpreted into anyone's life (Connors). Ralph Waldo Emerson was a transcendentalist, and he praised Whitman's work (Connors). Emerson saw potential in Whitman's writings and thought that Whitman had a long life of writing ahead of him (Connors). Whitman's writing was somewhat of the transcendentalist era, however, there was something in his writing that Emerson saw that was different than any other writers of their time (Connors). Whitman added his own spark to transcendentalist writing.
Leipold, L. Edmond, Famous American Poets. Minneapolis: T.S. Denison & Co., 1969.
Tuesday, March 20, 2012
Emily Dickinson
With a Bobolink for a Chorister —
And an Orchard, for a Dome —
Some keep the Sabbath in Surplice —
I just wear my Wings —
And instead of tolling the Bell, for Church,
Our little Sexton — sings.
God preaches, a noted Clergyman —
And the sermon is never long,
So instead of getting to Heaven, at last —
I'm going, all along."